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➡️ Buy it now on | Borrow it from the Free LibraryĪnd now, more books to take on your own quixotic quest. The Twilight World, Werner Herzog (Penguin Press, $25, June 14) Instead we have this novel that tells a fascinating, true-enough story and leaves us pondering the bigger questions: Is it a tragedy or a comedy? Is it a story of loyalty and duty? Of delusion? There are no easy answers when it comes to the messy, complicated truth.
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and it probably would be a movie if Onoda had brought a camera with him. It’s precisely the sort of thing Herzog makes movies about - a quixotic quest, driven man vs.
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Eventually it’s just Onoda alone in the jungle, having lost his mates to death or desertion and telling himself that the messages he receives that implore him to surrender are enemy trickery. They perform sometimes deadly raids on local villages to steal food and supplies.Īnd every once in a while they pick up hints at the pointlessness of their mission: strange planes in the sky, scraps of newspapers saying the war is over, no confrontations at all with American forces. They soak their ammunition in coconut oil to keep it from rusting. With deliberate and unadorned prose, Herzog describes Onoda and the three men under his charge as they navigate the pitiless jungle. The Twilight World is a slim and single-minded book.
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Herzog met with Onoda in 1997, and there’s plenty of information about the man out there, including his own 1999 autobiography. Just last month Herzog published his first novel, recounting the harrowing true story of Hiroo Onoda, the Japanese WWII soldier stationed on a small island in the Philippines who famously didn’t surrender until 1974. (Example: That coroner in Grizzly Man always felt like a B-movie mad scientist character to me. I am in a way happy to have been lied to, though it has left me suspicious of Herzog’s other works. It’s also a low-stakes fictional outburst that momentarily made me believe in a more interesting world than this one. It’s a clear violation of what documentaries are supposed to do. I was disappointed, only briefly, to learn that Herzog had made up the crocodile part, chalking it up to his pursuit of some “ecstatic truth” rather than the dull and artless “accountant’s truth” of the real world. Have you seen Werner Herzog’s 2010 documentary Cave of Forgotten Dreams? It’s like 95% about a treasure trove of prehistoric art discovered in France but ends with a strange detour about albino crocodiles who’ve been mutated by a nearby nuclear power plant. But some other part of my brain - the part that reads books, watches movies, and hopes to see a convincing Bigfoot photo one day - can appreciate the blurry border between what is and what could be. As a journalist I prefer a crisp dividing line between fact and fiction.